Were I even halfway concerned about my audience (rather than this entire blog being largely a vanity exercise) I would open with a meaningful apology for my recent absence. The only issue with such an opening gambit is that I’m really not sorry at all. I’ve been rather busy. However, I have few things to share with you. Read the rest of this entry »
Many years ago I caught a snippet of something on Radio 4 which included a sketch about how difficult it is for Hell to hold a Country singer. The gist of it was as follows: Hell is the summation of all the pain and damage one human being can do to another, everything a person can do to hurt themselves and the fears and failings of the human race heaped into a big pile and dealt out in chunks to the unfortunate souls who are consigned there for eternity. An on top of that the inhabitants are physically mocked and tortured for the general amusement of the demons in charge. Read the rest of this entry »
I’m playing a gig in a couple of weeks in Walsall Town Centre. It’s only a short appearance on a stage I’m happy to share with a whole host of local performers, speakers and dignitaries. Love Your Neighbour is an initiative started in Birmingham and spreading across the country.
It would be great to see a whole crowd of people supporting their local community.
It’s been a while since I wrote about Christian music, but something this morning really made me pause and think.
Horatio Spafford is known for a few things, principally as a chum of great evangelist Dwight Moody and the writer of “It is well with my Soul” – a hymn inspired by the tragic loss of his four daughters in a shipwreck when crossing the Atlantic to holiday in England. The hymn, published by Sankey to a tune by Philip Bliss, is a standard in traditional protestant Christian churches, an inspiring message that whatever the world throws at a person God’s love and grace are sufficient to meet the challenge. It’s a hymn strong on key Christian themes, and recognised and sung across the English-speaking world.
Which is why I’m rather disappointed that Matt Redman nicked the chorus to shore up one of his recent compositions. Read the rest of this entry »